Urban Explorer Interview on Radio 4

I know some of you will be really interested in this interview with urbex photographer “Lee”. Do listen to it very soon because these programmes aren’t available for long.

http://www.bbc.co.uk/programmes/b015mvs4

if you don’t have iplayer you will need to download it.

If you are interested in industrial ruins or urban environments you will be interested in Tim Edensor’s work: http://www.sci-eng.mmu.ac.uk/british_industrial_ruins/

Tim Edensor’s book Industrial Ruins is in the MMU library

A few knitting artists to inspire you…

http://www.freddierobins.com/

http://www.deirdre-nelson.com/

and courtesy of Pete K. http://www.geleff.info/

This week beginning 23rd January

Knitting Monday Lunchtime (see separate post) at 12 noon.

Monday Meeting 1.30 PROMPT in room 101. We will have a practice presentation and Q&A with Ben White who is joining us as a part time tutor this term. We will also have brief notices from students (please contact me about these). I want to keep this meeting short and focused because we all have lots to do this week.

Monday pop-up reading group in studios 3.30 pm until 4.30 pm.  We will read a short text together as a group and then discuss possibilities for future reading sessions. No preparation necessary.

There will be tutorials with me and with Ben over the next few weeks. Please check details with me at the meeting on Monday.

Thursday 26th January: Trip to Birmingham (see separate post about this) meet at Piccadilly by the departures board at 9.45 (or see other meeting points in my post). All welcome.

Friday film club at 12 noon in room 101. Programme this week TBC. All welcome.

Knitting starting Monday 23rd January

 

Lunchtime knitting session starting at 12 noon in the studios this Monday 23rd January.

This is an informal workshop led by Jane with help from Brigid, Hazel and Jason. We will start with casting on and learning how to do a knit stitch. If you have more advanced projects you need help with you are welcome to join in too.

If you have wool and knitting needles please bring them with you. Even if you dont have wool and/or needles do come along anyway and we will provide as many/much as we can.

All welcome.

Friday Lunchtime Film Club Tomorrow (20th January)

Tomorrow (20th January) 12 noon in Chatham Room 101,  by popular demand we will watch Two or Three Things I know About Her by Jean-Luc Godard 84 minutes (approximately). We will discuss the film afterwards.

All Welcome. Bring your lunch.

Trip to Birmingham on 26th January

As mentioned in the meeting 2 weeks ago we are going to see Lost in Lace  at Birmingham Museum and misc exhibitions at the Ikon Gallery.

Travel Details

10.07 departs from Manchester Piccadilly for Birmingham New Street.

Meet by the departures board at 9.45 or on the train itself after that.

11.31 arrives in Birmingham New Street.

12 noon meet at Birmingham Museum: the Gas Hall entrance

 

The train fare is apparently around £21 if you buy it on the day with a student rail card. A cheaper option would be to get the megabus. It costs £8 and takes 2 hours and leaves from Shudehill. Please check details but I think you will need to get the 9.30 coach to get there to meet us at the Museum at 12 noon.

Tuesday Talks at the Whitworth

These talks should be high on your list of priorities. See below an amazing list of speakers this time around!

Tuesday Talks at The Whitworth Art Gallery
11.00am – 12.30pm, free, no booking necessary
The Tuesday Talks series invites leading artists, thinkers and curators to explore the driving forces, influences and sources of inspiration within contemporary art. The series is programmed by Professor Pavel Büchler and is supported by the Manchester Metropolitan University.

17 January
Andrew Nairne
Appointed the Director of Kettle’s Yard in August last year, Andrew Nairne actually started his career in Kettle’s Yard in the 1980s. Prior to returning to KY, he was the Executive Director, Arts for Arts Council England from 2008 to 2011, was Director of Dundee Contemporary Arts and Modern Art Oxford and worked at the Ikon Gallery, Birmingham and the Centre for Contemporary Arts, Glasgow. As a curator and gallery director Nairne has worked with artists at the forefront of the contemporary visual arts including Miroslaw Balka, Jake and Dinos Chapman, Daniel Buren and Olafur Eliasson.

24 January
Christine Borland
Newly appointed as the BALTIC Professor of Contemporary Art at Northumbria University, Christine Borland’s practice negotiates territories in art, ethics, medical humanities and bio-politics. She gathers her source material as a result of research time spent in medical and forensic institutions, observing and participating in their practices. Borland’s work has been shown internationally in numerous museums and large-scale exhibitions including the Lyon Biennial, Manifesta 2, Venice Biennale and Münster Skulpturen Projekte 3. She studied at The Glasgow School of Art and University of Ulster, Belfast and was shortlisted for the 1997 Turner Prize.

31 January
Richard Wilson
Richard Wilson is one of Britain’s most renowned sculptors. He is internationally celebrated for his interventions in architectural space, which draw heavily on the worlds of engineering and construction. Wilson has exhibited widely, both nationally and internationally for over thirty years and was nominated for the Turner Prize on two occasions. Wilson’s seminal installation 20:50, a sea of reflective sump oil, which is permanently installed in the Saatchi Collection, was described as ‘one of the masterpieces of the modern age’. A recent work is Turning the Place Over in Liverpool, a vast ovoid section of a building’s façade that rotates three dimensionally on a spindle.

7 February
Cornelia Parker
Nominated for the Turner Prize in 1997, Cornelia Parker is perhaps best-known for a number of large-scale installations including Cold Dark Matter: An Exploded View, and The Maybe, a collaboration with actress Tilda Swinton, who appeared sleeping inside a vitrine at the Serpentine Gallery. Fascinated with processes in the world that mimic cartoon ‘deaths’ – steamrollering, shooting full of holes, falling from cliffs and explosions, Parker’s work triggers cultural metaphors and personal associations, transforming the most ordinary objects into something compelling and extraordinary.

14 February
Georgina Starr
Georgina Starr works with a very broad range of materials and techniques, including video, performance, sound, sculpture and even musicals. She uses incidents from her past, present and future, mixing fact, fantasy and fiction. One series of works concerned a parallel universe full of doppelgängers, including Starr herself. Her works often originate from a chance event or a half-recalled memory. Arecent work, I am a Record draws on everything Starr has ever recorded (on audio) since she began hearing voices aged 5 years old. The range of this archive covers: the rumbling of a broken radiator which she thought was speaking to her, re-enactments of secretly recorded stranger’s conversation, field recordings, singing voices, paranormal telephony, family dinner conversations, spirit messages and interviews with psychics and movie stars.

 

Assessment Important Dates

Friday 4th May

Final Journal Hand In

Thursday 31st May, Friday 1st June, Wednesday 6th June, Thursday 7th June & Friday 8th June

Final Assessment Presentations

Monday 11th June

Internal Moderation

Tuesday 12th June

External Visit

Friday 15th June

Degree Show TBC

Knitting

I cant remember exactly who put their hands up for the knitting session. Could you email me and let me know your interest. in the email could you let me know about your experience eg an absolute beginner, novice, improver etc. This will help me to plan the session.

Film Screening: Decasia Friday starting at 12 noon.

First film club screening and not for the faint hearted DECASIA by Bill Morrison with original sound track by Michael Gordon. The film is 66 minutes long so we will probably be finished by 1.30.

The film club will run every friday this term and will be an ecletic mixure of experimental work and good discussions.

This is an industrial cinema free zone (although there may be a few byproducts of the industrial cinema!).

Bring home made lunches and pop corn!

All welcome!

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